A Bomb to be Reloaded
Chapter 2 (Resistant Voices)
A Bomb to be Reloaded investigates the influence of Frantz Fanon’s thought on a generation of militant intellectuals in Italy, and, in particular, on Giovanni Pirelli. Following his involvement in the resistance against fascism in the Second World War, he refused his predestined role at the head of the Pirelli dynasty to dedicate his life to cultural and political activism. His friendship with Fanon, whose work he had translated and published in Italy, led him to the founding of the Centro di Documentazione Frantz Fanon (CDFF), a research centre for the study and support of decolonial and anti-imperialist struggles that was active in Milan between 1963 and 1967. The centre hosted conferences, translated and published updates and analysis on the various revolutionary movements of the time, while also hosting an impressive library of books and periodicals on these causes.
Chapter 2 (Resistant Voices) focuses on composer Luigi Nono’s A floresta è jovem e cheja de vida, written in 1965 and 1966 in collaboration with Giovanni Pirelli and first performed in 1966 at Venice’s Teatro La Fenice during the 19th Experimental Music Biennale. Through historic documents and videos, the installation reconstructs the historic performance but does so partially, focusing on a number of documents that underline the influence of Fanon’s thought on the work and on one of its performers, Kadigia Bove. Kadigia’s stories enrich the narration with a series of anecdotes and autobiographical stories, shedding light onto the experience of the actress and singer of Italian- Somali origins in post-war Italy.